suckerPUNCH: Describe your project.
Charles WEAK: Layers are an ambiguous category of elements, most commonly associated with planar forms, whose assembly (referred to as layer logics) generates images. This project proposes a new understanding of layers in physical space through exploring the role that layer logics have played historically in image creation.
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suckerPUNCH: Describe your project.
Mengqi XU: Using AI method neural networks(“NN”) as a tool, my project focuses on to create a new aesthetic which combines the biological aesthetics of the machine aesthetic in architecture design.
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suckerPUNCH: Describe your project.
Bradley SILLING: The Grandest Canyon is a configuration of things in deep time. It speculates on a potential architecture in the ruins of the Anthropocene, for critters and chthonic ones alike. It suggests that geological time may destabilize the meaning of ordinary objects and allow them to form new relationships. Things in a state of togetherness may give rise to new constellations of space for non-human inhabitants.

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suckerPUNCH: Describe your project.
Adam WELLS and Samuel FLOWER: Our approach sampled cities, past, contemporary & fictional in a way that did not seek to abstract or dilute the architectural information, but rather reconfigure parts from these precedents in the creation of a new formal language…

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suckerPUNCH: Describe your project.
Adam SCHROTH: This project presents a collaboration with Neural Network technologies in order to suggest alternative ways to image architecture. These technologies were viewed not merely as tools, but as partners, willing and able to shift the way architects privilege information…

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suckerPUNCH: Describe your project.
Parsa REZAEE: This project takes an explorative step in the process of beginning a critical body of work. Typography was used to generate shapes, then layers. Forms were aggregated, then collapsed on the page. All of the information flattened. Quick, iterative explorations and a drawing for later.
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suckerPUNCH: Describe your project.
Alexandra KARLSSON: The prompt for the project was to create a new idea for an office space appropriating everyday objects in order to formulate a design. These objects were photographed, collaged, and subsequently made into unfolded architectural drawings. My collection of objects attempts to evoke a restaurant concept which resulted in a working space blurring the line between an office and dining experience.
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suckerPUNCH: Describe your project.
Gary POLK: This thesis tackles the sphere of nonhuman culture within the realm of architecture. It investigates design from the ontology of architectural characters by harnessing the behaviors, mechanisms, and new spatial realms that can occur from human, environmental and character interface, specifically that of the 6 designed characters: the Transfer Station, Kiln, Buoyant, Umbrella, Thermal Mass and Ark.
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suckerPUNCH: Describe your project.
Ryan McChord BARNETTE: This thesis is the outcome of a visual taxonomy constructed from a series of representational explorations which attempt to investigate the more recent emergence of post digital aesthetics and representation through materiality and figuration. “mis{FIGURED}” translates as the obfuscation of quasi-conventional modes of architectural representation which question current advents of representational techniques as they are resolved into a two and a half dimensional installation.
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