suckerPUNCH: describe your project.
markWATSON: the project is concerned with a museum typology informed by a very specific architectural language and experiential affect. this affect is based on tangential continuity as a spatial mediator and structural technique.
university of westminster
instructors: andrew yau and andrei martin
the connective relationships between the buildings functions have been developed through research focused on the movement of people between museum spaces. the experiential affect is a product of the transition between the prismic geometry of the surrounding urban context, to which the building’s exterior skin is aligned, and the specific performative nature of the interconnected, tangentially continuous circulatory network.
sP: what or who influenced this project?
mW: andrei martin and andrew yau at urban future organisation.
sP: what were you reading/listening to/watching while developing this project?
mW: patrick schumacher, ad, kostas terzidis, carlo mallino as well as lectures by tom wiscombe, marjan colletti and jeff kipnis
sP: whose work is currently on your radar?
mW: zaha hadid, asymptote, delugan meissl, kokkugia, ufo
this design thesis project was completed whilst undertaking the second year of the riba part ii exemption certificate and post- graduate diploma in architecture from the university of westminster, design studio 13 under the tutorage of andrew yau and andrei martin.

















