suckerPUNCH: Describe your project.
Kurt NELSON and Ariel COOKE-ZAMORA: Reacting to the prevalence of standardization and the hollowing out of functional reasons for Mykonian ornament, this resort complex proposes an alternate path forward for architecture in Mykonos.
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suckerPUNCH: Describe your project.
Sophia KOUNTAKIS: This project brings the familiar roof profile into the realm of the strange by deploying games of scale, yet retains its familiarity through its materiality.
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suckerPUNCH: Describe your project.
Sarangan SINNARAJAH: The project operates at a micro/macro scale of a city based off the relationship between how infrastructure, domesticity, and circulation can be contained as a whole.
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suckerPUNCH: Describe your project.
Paul Germaine MCCOY: Access by definition is a means of approaching or entering a place. To today’s visitor, it is a means of being in a presence of artifacts that sit in a decontextualized archive within the Penn Museum.
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suckerPUNCH: Describe your project.
VAULTS BEDS GARDENS: Public Hedonics and Alternative Publicness presents amid.cero9’s investigations on the role of architecture in the formation of the contemporary public realm. Through large format drawings and precious models recreating the working environment of their studio in Madrid, the exhibition presents architectural projects ranging from the beginning of their practice in 1998 to their most recent work.
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suckerPUNCH: Describe your project.
Megan YORK: Two forces on the brink of collision are moments away from touching. One is not overpowering the other, but yet gravitating towards its presence. But what is to come when the two forces meet? Or better yet, do they ever meet?
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suckerPUNCH: Describe your project.
Yu ZHANG: Haven Unit No. 3 is designed for the pleasures of viewing, and as such, relies on the production of architecture as innate sensation and image.
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