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los angeles CALIFORNIA
Sci-ARC
Critic: Mark FOSTER GAGE, Melissa SHIN & Ryan WILSON

suckerPUNCH: Describe your project.
Evan MASON and Ross FERNANDES: The Piezo-Involex Valley is a breakthrough wind driven piezo-electric pressure differential hybrid fluid dynamic alternating current energy generation network throughout the American Mountain States…
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philadelphia PENNSYLVANIA

suckerPUNCH: Describe your project.
Andrew John WIT and Mahesh DAAS: The field of robotics is coming of age. Robotics and artificial intelligence represent the next cutting edge technology that will transform the fields of architecture and design. The past decade’s surge towards more computationally defined building systems and highly adaptable open-source design software has left the field ripe for the integration of robotics whether through large-scale building production or through more intelligent/adaptive building systems. Through this surge, architecture has not only been greatly influenced by these emerging technologies, but has also begun influencing other disciplines in unexpected ways.
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ann arbor MICHIGAN
University of Michigan
Critic: Hans TURSACK

suckerPUNCH: Describe your project.
Charles WEAK: Layers are an ambiguous category of elements, most commonly associated with planar forms, whose assembly (referred to as layer logics) generates images. This project proposes a new understanding of layers in physical space through exploring the role that layer logics have played historically in image creation.
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philadelphia PENNSYLVANIA
University of Pennsylvania
Critic: Karel KLEIN & Miguel ABAUNZA

suckerPUNCH: Describe your project.
Mengqi XU: Using AI method neural networks(“NN”) as a tool, my project focuses on to create a new aesthetic which combines the biological aesthetics of the machine aesthetic in architecture design.
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cambridge MASSACHUSETTS

Harvard GSD
Critic: Mack SCOGIN

suckerPUNCH: Describe your project.
Bradley SILLING: The Grandest Canyon is a configuration of things in deep time. It speculates on a potential architecture in the ruins of the Anthropocene, for critters and chthonic ones alike. It suggests that geological time may destabilize the meaning of ordinary objects and allow them to form new relationships. Things in a state of togetherness may give rise to new constellations of space for non-human inhabitants.

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los angeles CALIFORNIA

Sci-ARC
Critic: Tom WISCOMBE

suckerPUNCH: Describe your project.
Adam WELLS and Samuel FLOWER: Our approach sampled cities, past, contemporary & fictional in a way that did not seek to abstract or dilute the architectural information, but rather reconfigure parts from these precedents in the creation of a new formal language…

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los angeles CALIFORNIA

suckerPUNCH: Describe your project.

SPINAGU: On Thursday, May 17, from 6:30 pm – 8:30 pm Helms Bakery District and the Cal Poly LA Metro Program in Architecture and Urban Design are excited to host a presentation and discussion with Maxi SPINA and Jia GU of SPINAGU…


philadelphia PENNSYLVANIA

University of Pennsylvania
Critic: Karel KLEIN And Miguel ABAUNZA

suckerPUNCH: Describe your project.
Adam SCHROTH: This project presents a collaboration with Neural Network technologies in order to suggest alternative ways to image architecture. These technologies were viewed not merely as tools, but as partners, willing and able to shift the way architects privilege information…

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los angeles CALIFORNIA

Woodbury School of Architecture
Critic: Ryan TYLER-MARTINEZ

suckerPUNCH: Describe your project.
Parsa REZAEE: This project takes an explorative step in the process of beginning a critical body of work. Typography was used to generate shapes, then layers. Forms were aggregated, then collapsed on the page. All of the information flattened. Quick, iterative explorations and a drawing for later.
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new haven CONNETICUT

Yale School of Architecture
Critic: Florencia PITA, Jackilin HAH BLOOM, and Miroslava BROOKS

suckerPUNCH: Describe your project.
Alexandra KARLSSON: The prompt for the project was to create a new idea for an office space appropriating everyday objects in order to formulate a design. These objects were photographed, collaged, and subsequently made into unfolded architectural drawings. My collection of objects attempts to evoke a restaurant concept which resulted in a working space blurring the line between an office and dining experience.
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