los angeles CALIFORNIA
SCI-Arc
critics: Matthew AU & Andrew ZAGO.
suckerPUNCH: Describe your project.
Austin ANDERSON, Connor COVEY, Anhuar FARAH, & Namku KIM: The form of color or the color of form?
This study is part of a series of ongoing experiments using color in architecture.
andrew ZAGO, Anhuar FARAH, Austin ANDERSON, color, Connor COVEY, Namku KIM, SCI-arc
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buffalo NEW YORK
suckerPUNCH: Describe your project.
Virginia MELNYK: Geometric curtain is a window installation designed specifically for CAW gallery in New Haven, Connecticut. Here, parametric modeling is utilized to design a filtering that interacts with light during the day and night.
color, installation, parametric design, parametricism, virginia MELNYK
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austin TEXAS
suckerPUNCH: Describe your project.
Igor SIDDIQUI / ISSSStudio: Sugarfree is a site-specific lighting installation designed and fabricated for the Materials Lab at the University of Texas at Austin. Its prominent feature is an assembly of patterned lenses that modify the emitting light.
color, digital fabrication, igor SIDDIQUI, installation, isssstudio, lighting design, pattern, The Materials Lab at The University of Texas at Austin, University of Texas at Austin
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shanghai CHINA
“BREATHING” is a dynamic installation designed by the Laboratory for Explorative Architecture & Design Ltd. (LEAD) for Sushibar Ichininmae as part of the RIBA Shanghai Windows Project in Shanghai, Xintiandi. For the second time the Royal Institute of British Architects (RIBA), China Xintiandi and the British Council selected ten architects to develop temporary installations in shops distributed around the Shanghai Xintiandi site.
color, digital fabrication, fabrication, installation, Julien KLISZ, kristof CROLLA, LEAD
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los angeles CALIFORNIA
SCI-Arc
critic: Elena MANFERDINI
suckerPUNCH: Describe your project.
Viola AGO: This is a focused obsession of color and facial expression in architecturalizing the theatrical behavior of blushing. The ambition is to have the blush belong to the materiality of the architecture as it brings faciality into the behavior of the skin.
