los angeles CALIFORNIA
SCI-Arc
critic: Satoru SUGIHARA.
suckerPUNCH: Describe your project.
Daniela ATENCIO & Ana ZAPATA: This project is an architectural exploration of processes in contemporary design and fabrication within the context of digital design.
Ana ZAPATA, computation, Daniela ATENCIO, digital fabrication, grasshopper, Python, Satoru SUGIHARA, SCI-arc
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london UNITED KINGDOM
suckerPUNCH: Describe your project.
Gilles RETSIN: This proposal for the new Guggenheim museum in Helsinki uses digital methodologies to design a carbon-negative building which is largely made of recycled and low-grade timber. . . .
algorithmic design, architecture, assemblage, computation, computational design, gilles RETSIN, Guggenheim, Guggenheim Helsinki Design Competition, museum
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brooklyn NEW YORK
Francis Bitonti Studio’s New Skins Workshop Series, led by Francis Bitonti, launched Summer 2013 in Brooklyn, New York. Exploring new computational design methods and techniques, New Skins Workshop continuously focuses on immersing students with the tools and software needed to design and fabricate complex geometry in computational fashion design. Summer 2014 workshops will be held in London and San Francisco.
3-D printing, computation, computational design, fashion, francis a. BITONTI, NOTHINGeverHAPPENS, workshop
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london UNITED KINGDOM
From natural to alien, from glossy to messy and from continuous to discrete: this lecture will speculate about computational design strategies for radical heterogeneity
lecture: Gilles RETSIN (SoftKill Design), “Alien, Messy, and Discrete: Computational Heterogeneity.”
Thursday, 03/13
6.00 p.m. / Room EB.2.43
University of East-London
University Way
London, United Kingdom E16 2RD
computation, computational design, gilles RETSIN, lecture, NOTHINGeverHAPPENS, SoftKill, university of east london
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pittsburgh PENNSYLVANIA
Carnegie Mellon University, Computational Design
suckerPUNCH: Describe your project.
Madeline GANNON (MADLAB.CC): Reverberating Across the Divide reconnects digital and physical contexts through a custom chronomorphologic modeling environment.
3-D printing, Carnegie Mellon, Carnegie Mellon University, chronomorphology, computation, computational design, Madeline GANNON, MADLAB.CC, wearables
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troy NEW YORK
“We are a generation of architects interested not in geometry, but in pattern. We create languages but have none we can call our own. Our explorations in computation have flattened history. . . .”
[EXCERPTED FROM FRESH PUNCHES ]
*image courtesy the author.
academia, algorithmic design, computation, francis a. BITONTI, Fresh Punches, pedagogy, Pratt, Pratt DAHRC, pratt institute, Rensselaer Polytechnic Institute
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san diego CALIFORNIA
suckerPUNCH: Describe your project.
Gabriel MORALES-OLIVARES, Kate HANSON, Taylor McGRADY, & Abe GUTIERREZ: The established built environment perpetuates an entropy laden system that depends heavily on non-renewable resources. We set forth a holistic framework, embracing the needs of society and the capacities of technology, in which a renewable and recursive, high resolution, self-powered piezo-based synthetic ecology can flourish.
Abe GUTIERREZ, cellular automata, computation, computational design, energy, Gabriel MORALES-OLIVARES, Kate HANSON, multi-agent systems, surface, Taylor McGRADY
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new york NEW YORK
In this three-week intensive interdisciplinary research project students will work with experts in the fashion, art, architecture and computing to design and fabricate second skins for the human body. Students will develop computational systems alongside material systems that can be deployed as wearable objects.
“New Skins: An Interdisciplinary Research Project” with Francis BITONTI
07/22–08/08 / Digital Arts and Humanities Research Center (DAHRC)
Pratt Institute
61 St. James Place
Brooklyn, New York 10038
computation, fashion, francis a. BITONTI, NOTHINGeverHAPPENS, Pratt, pratt institute, research project, workshop
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dessau GERMANY
Jose Sanchez will be giving a lecture on “Design = Play” at the Main Lecture Hall, Building 08, Room 006, Dessau Institute of Architecture, Bauhaustrasse 5, Dessau, Germany at 6.30pm on Wednesday 22 May 2013. Jose Sanchez is an Architect / Programmer / Game Designer based in London. He is partner at Bloom Games, start-up built upon the BLOOM project, winner of the WONDER SERIES hosted by the City of London for the London 2012 Olympics. He is the director of the Plethora Project, a research and learning project investing in the future of on-line open-source knowledge.
lecture: Jose SANCHEZ, “Design = Play”
Wednesday, 05/22
6.00 pm / Main Lecture Hall, Bldg. 8, Rm. 006
Dessau Institute of Architecture
Bauhausstrasse 5
06846 Dessau, Germany
computation, Dessau Institute of Architecture, Jose Sanchez, lecture, NOTHINGeverHAPPENS, Plethora Project
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troy NEW YORK
Adjunct Faculty, Rensselaer Polytechnic Institute
suckerPUNCH: Describe your project.
Fleet HOWER: Collateral Intricacy is a proposition for an operationally contextualized architecture that combines the logic underlying Gothic geometry with the precision and expanded capabilities of contemporary computation. By encoding specific quantitative and qualitative Gothic operations such as subdivision and proliferation of detail, a radically new architecture emerges.
architecture, computation, Fleet HOWER, gothic, intricacy, Rensselaer Polytechnic Institute, RPI
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