los angeles CALIFORNIA
suckerPUNCH: Describe your project.
brett PHILLIPS: The Living House is the restructuring of the human to architecture relationship. Typically architecture is thought of as an entity that can be controlled. This architecture is alive and spontaneous, and creates a relationship where both parties need and compliment each other, creating an engaging bond between both participants.
new york NEW YORK
vivian ROSENTHAL and jesse SEPPI discuss Tronic studio and their interests in the tension between physical and virtual worlds, the body as interface, augmented reality, sci-fi, and of course Powerisers.
Malick’s latest is an ambitious stunner. The film builds through surreal cuts, flashbacks, and flashforwards spanning the lifespan of the earth. Emmanuel Lubezki’s Cinematography is breathtaking. The return of Doug Trumbull’s work to the big screen brings a fantastic texture and layer to the film with his insistence on in camera effects. Hopefully Malick keeps up his current pace…
[TRAILER]
Malick’s latest is an ambitious stunner. The film builds through surreal cuts, flashbacks, and flashforwards spanning the lifespan of the earth. Emmanuel Lubezki’s Cinematography is breathtaking. The return of Doug Trumbull’s work to the big screen brings a fantastic texture and layer to the film with his insistence on in camera effects. Hopefully Malick keeps up his current pace…
[TRAILER]
Nick Ray’s film slowly detonates the nuclear in the post-war American family. James Mason comes apart at the seams as he manically attempts to negotiate the modern world of suburbia. Gloriously shot in cinemascope the colors bloom to create a surreal palette from the depths of Eisenhower era banality
[TRAILER]
Nick Ray’s film slowly detonates the nuclear in the post-war American family. James Mason comes apart at the seams as he manically attempts to negotiate the modern world of suburbia. Gloriously shot in cinemascope the colors bloom to create a surreal palette from the depths of Eisenhower era banality
[TRAILER]
Alan Resnais and Alan Robbe-Grillet’s insanely gorgeous dream/nightmare of a film still stuns and puzzles. About a man and woman (Delphine Seyrig with a new do and a closet of Chanel) who upon arriving at a hotel have a sense they may have met there a year previously. The hotel is overwhelmed by baroque ornamentation adding to the lush hallucination and confused seduction in this stylized masterpiece.
[TRAILER]
[MORE]
Alan Resnais and Alan Robbe-Grillet’s insanely gorgeous dream/nightmare of a film still stuns and puzzles. About a man and woman (Delphine Seyrig with a new do and a closet of Chanel) who upon arriving at a hotel have a sense they may have met there a year previously. The hotel is overwhelmed by baroque ornamentation adding to the lush hallucination and confused seduction in this stylized masterpiece.
[TRAILER]
[MORE]
No longer ‘the greatest concert movie you’ve never seen.’ Finally available, this historic concert from ’64 mixes James Brown, The Beach Boys, Chuck Berry, the Supremes, the Rolling Stones (introduced as “from liverpool”), and Lesley Gore (the then largest star on the bill). The performances are charged and fresh as everyone was on the verge of breaking big. Complete with manic go-go dancers performing throughout the entire performance in a marathon feat. The moment which catapults the whole film over the top is James Brown’s dancing, which is perhaps the finest ever captured to film.
[TRAILER]
No longer ‘the greatest concert movie you’ve never seen.’ Finally available, this historic concert from ’64 mixes James Brown, The Beach Boys, Chuck Berry, the Supremes, the Rolling Stones (introduced as “from liverpool”), and Lesley Gore (the then largest star on the bill). The performances are charged and fresh as everyone was on the verge of breaking big. Complete with manic go-go dancers performing throughout the entire performance in a marathon feat. The moment which catapults the whole film over the top is James Brown’s dancing, which is perhaps the finest ever captured to film.
[TRAILER]
