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  • Cultural House of Jazz
    san francisco CALFORNIA

    suckerPUNCH: Describe your project.

    surasuk PATTANAPANITCHAKUL: This project intends to illustrate the synthesis between nature, urban and architecture, which supports and collaborate to each other, showing the soul of interconnection which increasingly synthesize with the space, in order to show how architecture can act as an instrument.Traditionally, music defined as aural element expressed through time. architecture as instrument explores the idea of music as defined by visual expressed through time, specificially shadows cast as the sun traverse the sky visual representation of temporal experience—the cycle of the day. Structure as instrument explores the idea that the structure itself is an orchestra and the ever-changing and continual shadows that fall across it and beside it are music experience by users.

    [MORE]

  • Sporadic Luminance
    vienna AUSTRIA

    suckerPUNCH: Describe your project.

    philip h. WILCK: The project shows the design proposal for a musicpavilion at the Stadtpark in Vienna (Austria). Rethinking the concept of a musicpavilion the architectural ensemble of different geometrical and material configurations offers the opportunity for a multilayered and complex music experience. The system includes central positioned sound shells in dependence on biological shell geometries like an ear or a mussle (biomimicry) . . . and a sound booth system of closed capsules for an intense, individual space for sound . . . spreading about the area. Another elements provide spaces and areas for a fully self-sufficient energy supply regarding ecological thinking, host interaction and active materials.

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  • tami show

    No longer ‘the greatest concert movie you’ve never seen.’ Finally available, this historic concert from ’64 mixes James Brown, The Beach Boys, Chuck Berry, the Supremes, the Rolling Stones (introduced as “from liverpool”), and Lesley Gore (the then largest star on the bill). The performances are charged and fresh as everyone was on the verge of breaking big. Complete with manic go-go dancers performing throughout the entire performance in a marathon feat. The moment which catapults the whole film over the top is James Brown’s dancing, which is perhaps the finest ever captured to film.

    [TRAILER]

    [MORE]

  • tami show

    No longer ‘the greatest concert movie you’ve never seen.’ Finally available, this historic concert from ’64 mixes James Brown, The Beach Boys, Chuck Berry, the Supremes, the Rolling Stones (introduced as “from liverpool”), and Lesley Gore (the then largest star on the bill). The performances are charged and fresh as everyone was on the verge of breaking big. Complete with manic go-go dancers performing throughout the entire performance in a marathon feat. The moment which catapults the whole film over the top is James Brown’s dancing, which is perhaps the finest ever captured to film.

    [TRAILER]

    [MORE]

  • dancer equired
    columbus OHIO

    On TNV’s fifth album, Dancer Equired, the trio continues their progress and unbeatable track record. Standout tracks include the laid back California Roll, the shimmering Don’t Go To Liverpool, the bouncing Fuck Her Tears, and the achingly beautiful No Room to Live. Catch them this Friday in Brooklyn!


    [SUMMER MUSIC DISCUSSION]

  • laced
    columbus OHIO

    Horseshit Deliver the first great summer album of ’11. Pulsing hallucinatory loops and samples build up on these tracks to give their music new depth and expanse allowing for plenty of room to freak out. The album combines electronics, guitars, drums and plenty of effects to create a tropical vibe from the calypso sounds of French Countryside to the bongos on Another Side to the standout I Hate The Beach. This album blasts PH into new territories and as evident from their Shitty Sundays posts it’s just the beginning…

    [SUMMER MUSIC DISCUSSION]

  • laced
    columbus OHIO

    Horseshit Deliver the first great summer album of ’11. Pulsing hallucinatory loops and samples build up on these tracks to give their music new depth and expanse allowing for plenty of room to freak out. The album combines electronics, guitars, drums and plenty of effects to create a tropical vibe from the calypso sounds of French Countryside to the bongos on Another Side to the standout I Hate The Beach. This album blasts PH into new territories and as evident from their Shitty Sundays posts it’s just the beginning…

    [SUMMER MUSIC DISCUSSION]


  • columbus OHIO

    More thrashed rock by one of columbus’ finest, psychedelic horseshit. Bursting with spacey, layered jams including the sublime bleak vacations, a seven minute velvets like trip to the moon.

  • melted
    san francisco CALIFORNIA

    ‘cherry cola, sno-cones and taffy” is how san fran rocker ty SEGALL describes his new lp for goner records. the songs still have plenty of hooks buried beneath layers of fuzz and reverb but cuts like casear show segall getting looser and mixing in some new twists.

    [MORE]


  • dresden GERMANY

    oliver SCHARF’S debut lp year of panic is full of great bouncy lofi gems. Put out on brooklyn’s Captured Tracks this fits right in with the label’s other house partying throwback/throwaway acts. With plenty of noise and hooks it’s great for aimless summer afternoons.