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Asli TUSAVUL, "Building the Picture." Axonometric drawing.
los angeles CALIFORNIA

SCI-Arc
critic: Elena MANFERDINI.

suckerPUNCH: Describe your project.

Asli TUSAVUL: This project is working within a contemporary rereading of the politics of the envelope, producing new models of “faciality.”

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Son VU, "Untitled."
atlanta GEORGIA

Georgia Institute of Technology, School of Architecture
critic: Volkan ALKANOGLU.

suckerPUNCH: Describe your project.

Son VU: This untitled project is for a gallery in Atlanta, Georgia. It started with a process of creating abstract 2-D line drawings; these drawings were then interpreted into 3-D space.

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Virginia MELNYK, "Ice Crystal." Exterior rendering.
buffalo NEW YORK

suckerPUNCH: Describe your project.

Virginia MELNYK: Ice Crystal arrives from a series of aggregations and adjustments inspired by the way snowflakes and ice crystals are formed.

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Lucia ALLAIS.
new york NEW YORK

Historian and theorist Lucia Allais presents an exploration of the design of the Unesco Complex in Paris between 1952 and 1959, inaugural Detlef Mertins Lecture on the Histories of Modernity.

lecture: Lucia ALLAIS with Amale ANDRAOS (introduction) and Barry BERGDOLL & Felicity SCOTT (response).
Wednesday, 02/11
6.30 p.m. / Wood Auditorium, Avery Hall
Columbia University
1172 Amsterdam Avenue
New York, NY 10027

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Michael YOUNG.
stockholm SWEDEN

Modernism has had recurrent trouble with the aesthetics of realism. . . .

lecture: Michael YOUNG, “Parafictional Realism” with respondent Daniel NORELL.
Draw Point Talk lecture series.
Thursday, 02/19
6.00 p.m. / The KTH School of Architecture
Östermalmsgatan 26
114 26 Stockholm, Sweden

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Clay ODOM (studioMODO) with Sean ONEILL & Adam OWENS, "Tesseract Series."
austin TEXAS

suckerPUNCH: Describe your project.

Clay ODOM (studioMODO) with Sean O’NEILL & Adam OWENS: The projects are temporary installations that in that have been realized recently in Austin, Houston, Winnipeg, and Melbourne. They represent an on-going exploration into how maximum spatial, atmospheric, and surface effects may be produced through a systemized, generative collaboration between material, form, light, and sound. . . .

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Andrea YOAS, "Inter - Lock." Exterior rendering.
philadelphia PENNSYLVANIA

University of Pennsylvania, PennDesign
critic: Jonas COERSMEIER.

suckerPUNCH: Describe your project.

Andrea YOAS: This project began with a spatial unit that was designed to aggregate in a completely space-filling manner. . . .

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Daniela ATENCIO, Rishabh KHURANA, & Ana ZAPATA, "Multi-Textural Extrusions."
los angeles CALIFORNIA

SCI-Arc
critic: Peter TESTA.

suckerPUNCH: Describe your project.

Daniela ATENCIO, Rishabh KHURANA, & Ana ZAPATA: Computers can work in harmony to solve intensive problems systematically. Using parameterized 3-D software, they may facilitate the simulation, and even the control of materials in the physical world. . . .

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Simulating Natures.
philadelphia PENNSYLVANIA

This symposium, “Simulating Natures,” explores how recent forms of media influence our understanding and formation of landscapes.

symposium: “Simulating Natures.”
Thursday, 03/19 – Friday, 03/20 // Lower Gallery, Meyerson Hall
PennDesign
210 South 34th Street
Philadelphia, PA 19104

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The Working-Group on Adaptive Systems, "The Nonhuman Autonomous Space Agency."
baltimore MARYLAND

suckerPUNCH: Describe your project.

The Working-Group on Adaptive Systems: In recent decades, space exploration has been the heroic imperative of humankind, but this was not always the case. . . .

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