philadelphia PENNSYLVANIA
University of Pennsylvania, PennDesign
critic: Simon KIM.
suckerPUNCH: Describe your project.
Yihan LI: Since the emergence of time as a concept, the circle has been a graphic representation that registers and measures the passing of seconds, minutes, hours, and even decades. . . .
los angeles CALIFORNIA
SCI-Arc
critics: David RUY with Stefano PASSERI.
suckerPUNCH: Describe your project.
Jacob HARTZELL & Gregory INGALLS: A glitch within architecture can be achieved (and in our minds most successfully achieved) by copying. Doubling of an object estranges both the copy and its original. We used the process of copying as a strategy to create obscene results.
los angeles CALIFORNIA
Join Jai & Jai Gallery for the opening of The LADG’s “Houses & The Figures That Go in Them”—Friday, August 7th from 8.00-11.00 p.m.
exhibition: The LADG (Andrew HOLDER & Claus Benjamin FREYINGER), “Houses & The Figures That Go in Them.”
Friday, 08/07 (opening reception)
8.00–11:00 p.m. / Jai & Jai Gallery
648 N. Spring Street
Los Angeles, 90012
vienna AUSTRIA
suckerPUNCH: Describe your project.
SPAN (Matias del CAMPO & Sandra MANNINGER): The leitmotiv of the Guggenheim Museum, Helsinki is the 9-square grid. . . .
philadelphia PENNSYLVANIA
University of Pennsylvania, PennDesign
critics: Ferda KOLATAN with Hart MARLOW.
For the 2014 Venice Architecture Biennale, Rem Koolhaas raised some eyebrows when he declared that the Biennale entitled “Fundamentals” would be about “architecture, not architects. . . .”
students: Jae AHN, Dunbee CHOI, Irina DUKHNEVICH, Joseph GIAMPIETRO, Yuhang HE, Lyly HUYEN, Hyemi KANG, Aidan KIM, Tanuja MANOHAR, Karen MARTIN, Alex TAHINOS, & Andrea YOAS.
philadelphia PENNSYLVANIA
University of Pennsylvania, PennDesign
critic: Andrew SAUNDERS.
suckerPUNCH: Describe your project.
Gary POLK: Refraction is defined as the fact or phenomenon of light being deflected in passing obliquely through the interface between one medium and another, or through a medium of varying density.
new york NEW YORK
Please join Log to celebrate the publication of the Spring/Summer 2015 issue, Log 34: The Food Issue, guest edited by Jan Åman and Savinien Caracostea of AtelierSlice.
issue launch & discussion: Log 34: The Food Issue, with Cynthia DAVIDSON, guest editor Savinien CARACOSTEA (AtelierSlice), Edward EIGEN, Einav GEFEN, & Meredith TENHOOR.
Tuesday, 07/21
7.00 p.m. / Arthur A. Houghton Jr. Gallery, The Cooper Union Foundation Building
The Cooper Union
7 East 7th Street
New York, NY 10003
ann arbor MICHIGAN
suckerPUNCH: Describe your project.
Clark THENHAUS / Endemic: A Project Four Domes Nowhere in the Middle implicates the four middles of America, a spatial paradox of locating centers within boundaries by marking these remote, pastoral points with freestanding domes atop earthen mounds. . . .
los angeles CALIFORNIA
SCI-Arc
Gehry Prize, Best Graduate Thesis Award
advisor: Hernan DIAZ ALONSO.
suckerPUNCH: Describe your project.
Jeff HALSTEAD: Architecture can be posited as a relationship between interiority and form. Glass House embodies an agitated, non-negotiated relationship of both—done through a collapse of the sequencing between them. . . .
brooklyn NEW YORK
Pratt Institute
critic: Nate HUME.
suckerPUNCH: Describe your project.
Zherui WANG: This house speculates on domestic living and its relationship, in the near future, to air. No longer considered, matter-of-fact, as an available resource, fresh air is commodified as a luxury consumer item—obsessively collected, carefully stored, and consumed in a contained environment.
