The vocabulary of early nineteenth-century picturesque landscape architecture is almost entirely alien to contemporary ears. Clumps, lumps, masses, groups, belts, hollows – these are a few of a vast catalog of objects that once belonged to design and have long since been absorbed into colloquial ubiquity. While the disciplinary meaning of these terms requires historical recovery, the project around which they were organized is entirely familiar.
andrew ATWOOD, Andrew HOLDER, Andrew KOVACS, Anna NEIMARK, Claus Benjamin FREYINGER, Harvard, harvard GSD, jason payne, Laurel BROUGHTON
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