los angeles CALIFORNIA

SCI-Arc
critics: Hernan DIAZ ALONSO & Ivan BERNAL.

suckerPUNCH: Describe your project.

Rachael McCALL: Sitting beside the Secession Hall in Vienna, the project is a tower house and studio for an artist in residence.

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los angeles CALIFORNIA

SCI-Arc

suckerPUNCH: Describe your project.

Matheos ASFAW: This thesis is a critical reflection on the role of the section in the architectural design process. The section is investigated with the assumption that conventional section drawings have difficulty representing the continuous dynamism of nonlinear spaces.

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los angeles CALIFORNIA

SCI-Arc
critic: Hernan DIAZ ALONSO

suckerPUNCH: Describe your project.

Yong Ha KIM: Biological growth operates as a catalyst in order to create an animate geometry. This catalyst gives a repeated stimulus to the fundamental processes in architecture—that is, the process from particle to line; from line to surface; from surface to line; from line to particle; from particle to surface—which happen sequentially over time as the biological growth in nature.

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san francisco CALIFORNIA

California College of the Arts
critic: Gregory HURCOMB

suckerPUNCH: Describe your project.

Alex WOODHOUSE: Animated sequences are often difficult to convey in a single, static image. Movement, intensity, and speed are terms associated more strongly with the animate than static, abilities showcased in the production and viewing of visually recorded events. Shadow Traceries is an investigation into the decoding and re-representation of these events, compressing time-based input into a finite, visualized moment.

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warsaw POLAND

Bridge and Platige Image created a physical space manifesto for new offices of Platige Image. Platige Image’s work in animation and post-production blurs boundaries between creativity and technology. The installation is a spatial canvas ready to display creative content from artists working at Platige and to engage visitors too. It was designed to be a living organism in the lobby space and take an active part in company’s everyday life.

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new york NEW YORK

The Walled City Directed by roger HOM, Featuring music by dana LEONG

suckerPUNCH: describe your project.

roger HOM: I imagined a city awaiting demolition and the memories it might have.

In 1842, when Hong Kong became a British colony, The Kowloon Walled City, a military fort, was abandoned by the Chinese, but never officially handed over to the British, creating a political black hole. It was a haven to Triads and other illegal activities, since the colonial government technically could not administer what was still designated as Chinese territory.

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