SCI-arc
critic: ramiro DIAZ-GRANADOS,
suckerPUNCH: Describe your project.
ronny ECKELS: Peter Sloterdijk describes the dyad “as the absolute figure, the pure bipolar form.”[1] It is from this notion of twoness that Omnia, Nihil begins its exploration of incongruity and the figure within the context of a black box theatre. The project understands the figure in the Delezuian sense of the Body without Organs as that which “remains when you take everything away.”[2]















