suckerPUNCH: Describe your project.
Pariya MOHAMMADITABAR and Jakob SIEDER-SEMLITSCH: The linearized California project connects the metropoles Los Angeles and Las Vegas in a straight line.
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suckerPUNCH: Describe your project.
Lirong TAN and Xiaodan MA: Similar to Varese’s composing strategy of organizing the ordinary sounds recorded from the streets, we design a soft surface that wraps around and organizes the heterogeneous “ordinary neighborhood”.
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suckerPUNCH: Describe your project.
Mohammad SOLEIMANIFEIJANI: Frayed and Refined opens up the chance for defamiliarization of the identifiable object in a new extension for the Louvre museum and Tuileries garden.
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suckerPUNCH: Describe your project.
Andrew WITT, Tobias NOLTE, and Olivia HEUNG: A speculative design fiction with basis in fact, the Glacier Observatory is a constellation of outposts, an anchor shelter for humans and a halo of orbiting satellite buildings for machines.
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suckerPUNCH: Describe your project.
Katie LANSKI and Daniel SILVERMAN: Mother Culture considers a “both, and” condition through food and design, exploring ‘the raw and the cooked (and the rotten)’, ‘the familiar and the unfamiliar’, and ‘the digital and the analog’.
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suckerPUNCH: Describe your project.
Eleonora ORLANDI: Cloud Fabuland is a state of fictitious extravagance and a place where everything is possible.
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suckerPUNCH: Describe your project.
Josh MYERS: The synthesome (synthesis+rhizome) is defined by the synthesis of infrastructural elements that compose it and the rhizomatic quality that it has; elements within the synthesome do not simply operate independently.
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suckerPUNCH: Describe your project.
Longtai LIAO: The project is trying to exploring the possibility of creating a new language of form based on an existing language.
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suckerPUNCH: Describe your project.
Dongwoo SUK: This thesis looks at the way digital imaging technology mediates the translation between images and objects.
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suckerPUNCH: Describe your project.
Andrea CADIOLI: An American Power Box investigates ontological weakness in the architectural expression of power.
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