oakland CALIFORNIA
suckerPUNCH: Describe your project.
Clark THENHAUS: In the late 1960’s through the early 1980’s Victorian houses in the San Francisco Bay Area were, unlike today, cheap to rent and often occupied by progressive counter-culture young adults…
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los angeles CALIFORNIA
SCI-Arc
Critic: Herwig BAUMGARTNER
suckerPUNCH: Describe your project.
Navid SIMANIAN and Ali SENBAS: The project deals with the idea of contextualize in various architectural issues such as; ground and immediate context, organization and program, texture and material, massing, aperture and tectonics. The site in which the project is proposed is located in the historical downtown of Mexico City.
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brooklyn NEW YORK
Pratt Institute Graduate School of Design
Critic: Erich SCHOENENBERGER
suckerPUNCH: Describe your project.
Elham GOODARZI: The project is a residential micro housing high-rise located in downtown Brooklyn. Description was to create hyperreality as a condition in which what is real and what is fiction. And my main discussion was to create an efficient shared living space condition in a city which already many of its residents are living that way.
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troy NEW YORK
Rensselaer Polytechnic Institute
Critic: William VIRGIL
suckerPUNCH: Describe your project.
Joseph SKULSKI: Technological advances are used to make our lives increasingly simple, although the creation of these advances and systems is extremely complex.
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troy NEW YORK
Rensselaer Polytechnic Institute
Critic: William VIRGIL
suckerPUNCH: Describe your project.
Annie YU: This is a project culminates in the design of a single house for a painter and a fashion designer. It is meant to understand unique ways of co-habitation.
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new york NEW YORK
suckerPUNCH: Describe your project.
Alexandra Mikaela NAPP: The planter ultimately came out of a project I worked on with two classmates during our first year of architecture school at Yale in which we poured pigmented casting material into balloons and placed them in a container, in this way working with malleable bricks and speculating on a new type of building system…
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troy NEW YORK
Rensselaer Polytechnic Institute
Critic: Chris PERRY
suckerPUNCH: Describe your project.
Renzo MOU: According to the concept of postnaturalism there is no longer a clear and distinct barrier between what we used to define as “human” and “non-human”. Hence, the phenomenon of the postnatural suggests an ambiguous territory situated somewhere in-between that, by definition, might be characterized as uncertain and unstable…
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venice ITALY
suckerPUNCH: Describe your project.
Daniel NORELL and Einar RODHE: Commissioned for the exhibition Plots, Prints, and Projections at the 2018 Venice Architecture Biennale, Grain Figures is a play on our ability as humans to perceive meaning in seemingly random data.
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los angeles CALIFORNIA
University of Southern California
Critic: Yaohua WANG
suckerPUNCH: Describe your project.
Tingyang LI:” Tortured Boxes ” was started by doing a research of creating a system of box transformations. And then these systematic box methods were applied to the programs arrangement concept model to generate more interesting spatial experiences for the civic center.
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columbus OHIO
Knowlton School of Architecture at The Ohio State University
Critic: Sandhya KOCHAR
suckerPUNCH: Describe your project.
Tyler KREBS, Jackie NEHRBASS, Bryant HOVEST, and Chris BURROUGHS: We studied texture mapping and its ability to translate across dimensions. This computer generated process samples everyday objects and turns them into what we call space bashed parts; a further development of kit bashing, where the whole is both defamiliarized yet leaves the Ness-ness of the original object in tact. The interior qualities become of more critical importance than traditional kit bashing.
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