suckerPUNCH: Describe your project.
Iwamura EN: This current research investigates how one can influence and alter the experience of viewers who occupy space within the installation artworks.
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los angeles CALIFORNIA
Sci-ARC
Critic: Marcelo SPINA
suckerPUNCH: Describe your project.
Carlos NAVARRO: Y&Z Fuzzy Facets engages the issue of defamiliarization. The mixed‐use building complex located on the site of the World Trade Center building in Downtown Los Angeles utilizes the plinth of the old building as a socially, culturally, and geometrically familiarized object on top of which it sits and rises as a new whole composed by high‐rise towers that resist geometrical description.
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ann arbor MICHIGAN
University of Michigan
Critic: Meredith Miller
suckerPUNCH: Describe your project.
Daniel NGUYEN:The principles in composing a still-life speak to the relationships between objects, space, and content. As an image that flattens a collection of objects into a stationary moment, the still life captures the essence of a time, a place, and a culture…
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suckerPUNCH: Describe your project.
Clark THENHAUS: In the late 1960’s through the early 1980’s Victorian houses in the San Francisco Bay Area were, unlike today, cheap to rent and often occupied by progressive counter-culture young adults…
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los angeles CALIFORNIA
SCI-Arc
Critic: Herwig BAUMGARTNER
suckerPUNCH: Describe your project.
Navid SIMANIAN and Ali SENBAS: The project deals with the idea of contextualize in various architectural issues such as; ground and immediate context, organization and program, texture and material, massing, aperture and tectonics. The site in which the project is proposed is located in the historical downtown of Mexico City.
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brooklyn NEW YORK
Pratt Institute Graduate School of Design
Critic: Erich SCHOENENBERGER
suckerPUNCH: Describe your project.
Elham GOODARZI: The project is a residential micro housing high-rise located in downtown Brooklyn. Description was to create hyperreality as a condition in which what is real and what is fiction. And my main discussion was to create an efficient shared living space condition in a city which already many of its residents are living that way.
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troy NEW YORK
Rensselaer Polytechnic Institute
Critic: William VIRGIL
suckerPUNCH: Describe your project.
Joseph SKULSKI: Technological advances are used to make our lives increasingly simple, although the creation of these advances and systems is extremely complex.
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troy NEW YORK
Rensselaer Polytechnic Institute
Critic: William VIRGIL
suckerPUNCH: Describe your project.
Annie YU: This is a project culminates in the design of a single house for a painter and a fashion designer. It is meant to understand unique ways of co-habitation.
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suckerPUNCH: Describe your project.
Alexandra Mikaela NAPP: The planter ultimately came out of a project I worked on with two classmates during our first year of architecture school at Yale in which we poured pigmented casting material into balloons and placed them in a container, in this way working with malleable bricks and speculating on a new type of building system…
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troy NEW YORK
Rensselaer Polytechnic Institute
Critic: Chris PERRY
suckerPUNCH: Describe your project.
Renzo MOU: According to the concept of postnaturalism there is no longer a clear and distinct barrier between what we used to define as “human” and “non-human”. Hence, the phenomenon of the postnatural suggests an ambiguous territory situated somewhere in-between that, by definition, might be characterized as uncertain and unstable…
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